I have been listening to this album all year, sometimes I'll listen to the whole album a couple times a day, mmiam and departing the body are favorites from this album, I listened to Eros for a short time but I end up listening to this album more

Big shoutout to ‪@JPHenryAudio‬ for this video - https://www.youtube.com/watch?v=C_43ihxkX2Q

The actual guitars from the song have been removed and what you're hearing is entirely my takes. The guitar tone is created exactly as described by him in the video and it sounds amazing to me. I have two tracks panned hard-left and hard-right. One of the tracks was recorded live during the video take. Used the Digitech FreqOut for the feedback during the second verse (no idea how it held the feedback for so long xD).

Please do subscribe to me on YouTube if you like the cover! Thank you!

Quote from: sharinglungs on Jul 12, 2026, 12:02 AMhttps://discord.gg/f5T355VBr

does anyone have a new invite link?

Just heard this yesterday. Not to sound corny or w/e but these songs feel like I'm remembering something that I had forgotten; like something that was missing is now fulfilled. Wasn't expecting it to be so soothing and relaxed either. there's an 'innocence' to the songs that isn't in the newer albums. This shits on ohms and private music easily.

why is nobody talking about the untitled gore demo? (not crest, a whole different song)

Echoing some of the other members here - any chance I could grab an invite to the discord channel?

Also, in Briana the lyric "she's running out again". That does not sound like Chino. I've read a rumor that it was Kurt Travis.  Was that ever confirmed?
Thanks

Quote from: grens404 on Sep 14, 2026, 07:08 PMIs the jellyfish their original artwork?

no, the jellyfish artwork is fan-made. the photo with the archangel was supposedly the cover

Is the jellyfish their original artwork?

Hey there, SL. I'm posting because many of you had previously taken an interest in my Eros mixing and mastering project, and I've come with a significant update.

After living with v4 and v5 of my mixes for awhile, there remained a bunch of bothersome faults that stood out to me that were difficult to correct when operating from the local Demucs-generated stems that I created to mix/master my version of Eros. So I went hunting for a better technology to give myself the opportunity to start from better materials. I discovered RoFormer, and set up a local instance for generating stems that were of much greater clarity than what I had begun this project with initially.

RoFormer did incredible work, and it opened up quite a few doors in my mixing process, most of them involving where Frank lives within the mix. And this is precisely what I wanted, because while v5 of my Eros remix project was a really strong effort, it did not always succeed in respecting the pockets that Frank would ordinarily fill in a proper Deftones mix. I just couldn't get at those sonic materials because of the rough quality of my Demucs stems. RoFormer changed the game dramatically for my approach.

That said, I've completed a top-to-bottom rebuild of my mixes for every single track using my RoFormer-generated stems as a base. The result is v6, and it's deeply exciting for me, and I hope it'll be exciting for anyone who possesses an ear for the details while listening to a Deftones album. There are A LOT of changes both small and large that I made to my mixes based on the increased clarity of the RoFormer stems, and I won't catalog them all, but the highlights are mostly Frank-related, and his contributions to each song in which he's present should be more audible and detailed to the average listener.

Other noteworthy changes include stronger guitar articulation in a couple of the muddier songs, and the complete removal of the errant studio chatter at Margot's close (thus restoring the song's natural tail), as well as the removal of the errant hi-hats that pockmarked Diamond's closing synth line. I tried like hell to remove the little click-track ticks in Candy's opening, but I just couldn't pull that away from Frank's atmospheric contribution without obliterating the intro, so that remains a small annoyance that I'll just have to live with.

In all, v6 of my remix project represents another sizable leap toward refining the unmixed/unmastered Eros studio bounces into a proper album experience, and it comes with new high quality artwork (front and back) to mark the occasion. I've been proud of all the work I've accomplished throughout the summer as I've poured many dozens of man-hours into this project whenever I could squirrel away the free time, but I'm so immensely satisfied with where things stand currently. If you're interested, I've deleted all messages in my inbox, so I can receive PMs again; message me and I'll offer the link.