Sharing Lungs - Deftones Online Community

Deftones pictures, interviews, magazine scans.

Started by theis, May 01, 2010, 01:46 PM

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N0S3BLEED976

I typed the review in google translater cause I'm too lazy to translate it by myself. Either way, please do yourself a favor and read it for yourself.

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The concept of superiority:

Because he is, the pop in sheep's clothing. Sometimes you can not be long sought to find this little wisp of places where it is not suspected. Deftones about the universe, including the Japanese title "Koi no yokan". This means the potential promise of love after two people have made. It is a knowledge of an inescapable future love. Translated back into the future in the present, received the Pop with wide open arms and loving gaze, except for the band from Sacramento falls again with the now fifth masterpiece in a row in the music world to the competition mercilessly auszuknipsen.

Big Guitar Walls rise up and shake. The drums kick five meters above the ground. It goes through a tunnel of darkness and into the bright light, beyond the Dieseits. Chino Moreno's voice floats again a few inches above the drum-monster bends the ear through the narrow reef out into the meadow. It follows the singer through "Swerve city" banned like the time the camera the "Blade Runner" from the city canyons in the mountains. And since it appears the intimate affection, this deep relationship to the band said little wisp, which they do since the century-album "White Pony" tender love deals. Moreno takes the short brake, turn off and lands beyond the elegy in the world embrace of a long-drawn Oh-vowel, which even the Foo Fighters would not have succeeded Sun larger stadium. And what the Deftones produce further here, is not huge, it's huge deluxe survival.

Somewhere in the wake of the shoals of human emotions does "Romantic Dreams" the listener dives down to the point where the core of emotion shines like a studded window on bare winter roads:. "I wish this night would never end" A beauty on the balance between hardness and majestic sacred. To "Koi no yokan" ends this night, neither Moreno nor the listener, never. Nick Rasculinecz again sat on the production and shows that he can demand as much busy work horse like no other heavy music all the subtle nuances.

This proves the rousing "Leathers". Losbrechend as an elemental force, it rolls over the phone, pulls him in waves and whirlpools of energy that drives him as once Ikarus on the cloudy height of one of the most beautiful chorus melodies that ever came across Moreno's lips towards sunbeam. The lower it is the case then driven in the "Poltergeist", which infuriated haunts the premises to which the fogged windows in the human emotion household belong. And this at the highest level since "White Pony". Was "Diamond Eyes" is something like a concession to the radio format, then "Koi no yokan" averting her lip, though it most likely the Beach Boys album represents the discography. Depth of the abyss but still, you have to look in the verzückender despite vocal lines.

For example, in "Tempest". What begins with graying beatlesk Klanggewummer drives, in the darkest disco number of the year. So focused and precise one has heard the band play rarely. The sound cascades are always tight, crush and enclose the crackling fresh drums of Abe Cunningham would not always provide air before it goes into an oh-dark abyss chorales. Absolute strong-arm tactics of the skill, the Deftones and Rasculinecz simply know too well, how to do that. It takes "Gauze" the tension a bit and organized like a volcano, lava flows from the devastating. Like a fire, it recognizes itself and is consumed with genius. After the Foo Fighters last year its "Dear Rosemary" sang in an emotional force Brumme, dip the Deftones their "Rosemary" in ice-cold, reminiscent of ambient soundscapes sounds before frying guitar from Stephen Carpenter airs like a threat: not only for girls of the same name, but also for the recipient. By experiementell tinged "What happened to you" the gentlemen not only show that they have understood the principle Progressivitäts but stamp the certificate musical superiority from the same twice. "The sky belongs to you," Moreno sings and probably thinks himself as true and respect for it.

N0S3BLEED976


M1GHTY M4VS

Quote from: N0S3BLEED976 on Nov 02, 2012, 12:49 PM
Wow, this translation is a mess.
german syntax is more complex than what google implies to give out as real especially as this particular review is filled with metaphores.

lungdamage

'to the point where the core of emotion shines like a studded window on bare winter roads'
ha

Caín

#1924
Quote from: N0S3BLEED976 on Nov 02, 2012, 12:39 PM
Quote from: Caín on Nov 02, 2012, 12:26 PM
What this review boils down to: It's a pop record at heart. An album of grand gestures and majestic choruses.

No, not really. He even says that Diamond Eyes was the radio friendly record and that Koi No Yokan is an aversion of this direction. And he's basically only going into detail on the choruses of Leathers and Poltergeist and does not claim that the record is solely based on its choruses

Actually the reviewer is all over the map. He says it's not as radio friendly as DE but ends the same sentence with "it's their most 'Beach Boys'" yet.

Edit:
He also compares it to the 'Foo Fighters' and "stadium rock". Actually he says it's even more stadium rock than 'Foo Fighters' at times.

lungdamage


N0S3BLEED976

What? Of all the four songs we've heard, nothing comes even close to "stadium rock". Geez, why are most of you so obsessed with talking KNY down?

from_musings

Quote from: Caín on Nov 02, 2012, 01:33 PM
Actually he says it's even more stadium rock than 'Foo Fighters' at times.

loooooool

Caín

Quote from: N0S3BLEED976 on Nov 02, 2012, 01:46 PM
What? Of all the four songs we've heard, nothing comes even close to "stadium rock". Geez, why are most of you so obsessed with talking KNY down?

That's what the reviewer said. Don't kill the messenger.



chuckles

I'm a member of Sharing Leaks...



black coffee

http://uploaded.net/file/jdn0nhmq

scans from German magazine Visions. As a subscriber I got the Converge cover, not the Deftones one.

N0S3BLEED976

#1935
Quote from: black coffee on Nov 02, 2012, 03:40 PM
http://uploaded.net/file/jdn0nhmq

scans from German magazine Visions. As a subscriber I got the Converge cover, not the Deftones one.

Thanks, but can't you just upload it to mediafire? I'm struggling with uploaded at the moment

kckondor

So Metalhammer puts Koi No Yokan on par if slightly behind Diamond Eyes but ahead of Self-titled and SNW.  Somewhat annoying that the bulk of it was talking about songs we've already heard.  Still looking for a good review