PALMS [new Chino Moreno side project]

[shoop]

http://www36.zippyshare.com/v/54463193/file.html

[scarywindow]

The instruments are pretty good. Especially the drums from Aaron have a nice beat and the guitars are good as well. I guess Chino kind of ruins it for me. Maybe it's his new style of singing or the production on his vocals. I don't know, but those stretched, crooned vocals are so penetrant and annoingly high pitched. I already had problems with some of Chino's vocals on Koi No Yokan, like on Graphic Nature. It's the same thing. High pitched crooning that feel like they'll pearce your ear drums every moment. I kind of miss how Chino used to sing on Diamond Eyes. His vocals on songs like You've Seen The Butcher were so sexy!

I know what you mean, but really, his vocals on both Palms tracks have reminded me more of ATF-era Chino than anything... minus the screams.  But Koi did have those moments you described, for sure.  I just don't hear it in Palms.

[N0S3BLEED976]

his vocals on both Palms tracks have reminded me more of ATF-era Chino than anything... minus the screams. 

What the heck, I thoroughly disagree

[luisch]

Here's my rip

Palms - Patagonia

[sicily]

anyone taking a crack at the lyrics, not for nothing but the prod quality is so muddy, the mix aint right, and his vocals sound too raw.

[hi man]

I like the song but I totally agree the mix is awful and chinos voice is really drowned out with the delay.

[play]

dont like it at all. fuck

[Penicks]

not a fan

[Jerry_Curls]

Chino should just go full on dreampop...don't sing so loud.

I like it, some very beautiful moments. His verses are starting to sound alike. I'll wait for the full album, I just hop he doesn't yelp throughtout the whole album. I love how on Crosses, his singing is on point yet different from what he has done before.

[only pieces remain]

not a fan

[ChannelZer0]

Love it!! Can't wait to hear the rest!!

[pony_01]

chino seems so confused choosing notes to sing.. i hope this grow on me.

[luisch]

¡That bass is so huge!

[sing blue silver]

Sucks. Astonishingly underwhelmed by this project so far.

[Inkblades]

I'm not crazy about Chino's vocals, but Tropics grew on me, so maybe this will too.

[DeftonesNZ]

It's not that bad but Tropics is better, Chino sounds separated from what's going on with the instrumentals but I'm guessing it's a grower I already like it more than I did on first listen.

[asshole]

musically is amazing... sounds dreamy... not really what i expected for the project. i thought that was crosses... vocally sound like the early demos of team sleep... the mix of the vox is not cool.... just saying

[Bza々]

musically is amazing... sounds dreamy... not really what i expected for the project. i thought that was crosses... vocally sound like the early demos of team sleep... the mix of the vox is not cool.... just saying

LMAO, no.

[Inkblades]

They updated their website, by the way. Here's the press release:

Entropy is the tendency of all matter to move from a state of order to disorder; the Big Bang scattered stars across the universe, friction turns to flame, ice dissolves into water. But sometimes entropy works in reverse, where destruction brings new beginnings. The Los Angeles heavy, stargazing rock outfit Palms was forged out of an explosive collision too, as Deftones vocalist Chino Moreno joined forces with critically-lauded post-metal group ISIS, venturing into bold sonic territory that careens from kinetic churning guitars to quiet, atmospheric moments mining rich emotional environments.

Palms' self-titled Ipecac Records debut is wrought with dark anthems and intense textures, shoring cinematic, introspective interludes with tidal waves of distortion. From the ashes of ISIS, the band's skeleton crew Bryant Clifford Meyer (guitars, keyboards), Jeff Caxide (bass, keyboards), Aaron Harris (drums, electronics), were faced with a decision: turn away from music or begin to build again. "After a little time Jeff, Cliff, and I decided that it was insane that we all still lived here in Los Angeles and weren't playing together," Harris says. "It just sort of happened naturally, probably because we have been playing together for so long, and things started to come together. But we didn't want to be instrumental: We wanted vocals. We just weren't exactly sure who that would be at first."

Topping their shortlist of singers was Chino Moreno, whose vocal complexity interfaced seamlessly with the multi-faceted vision of Palms. Harris, who also recorded and engineered the album, had heard that Moreno was an avid follower of ISIS and approached the singer with the new project. "I love the dynamic range that Chino is capable of," Harris says, "He can go from light and airy to sounding like he's got acid in his throat. His lyrics grab you and make you want to know more. I love that." Moreno immediately accepted. "A chance to work with the guys from ISIS sounded like a lot of fun," Moreno says, "I've always been into the atmospheric sounds they had created with that project and felt my sense of melody would meld well with theirs."

Moreno's dynamism balanced the tectonic shifts in Palms instrumentation, as he howls over Meyer's searing guitar that ignites a conflagration when mixed with of propulsive rhythms by Caxide and Harris on the climax of "Shortwave Radio." While creating the genre-obliterating album, Caxide says that their cumulative experience helped evolve their creative process. "We communicate much better than we did in ISIS," he says, "No one is afraid to speak up if they don't like something and our roles are not confined only to the instruments we play." Culled from "subconscious inspiration" as Meyer says of his intricately crafted keys and guitars, these sonic textures accumulate like sediments, providing dense layers that set the foundation for Moreno's skyward-arcing voice. Then there's the slow-burning "Antarctic Handshake," which pairs crystalline guitar chords echoing into space as Moreno's voice, both distant and resounding, pensively ruminates over subtle, sweeping synths: "It's time to let go." It's a statement, a question, or, perhaps, an invitation; these cryptic lyrics acting as an empty vessel for the listeners to ascribe meaning, or maybe a mirror reflecting back secrets dredged from deep within. "I've never been one to talk about my lyrics, never have been," Moreno says about the words he channels into song. "Musically I don't approach any project differently from one another, meaning I don't have preconceived ideas on how things should sound beforehand. It's really just hearing the music and being inspired then reacting to it."

But the emotional affect of Palms' album is distinct: it moves and is moving; a perpetually forward-lunging exploration of moments both epic and intimate as all-enveloping loudness bleeds into piercing near-silence. It's an evocative aesthetic that could score the soundtrack to dystopian films, or scorched-earth world of post-Apocalyptic novels, that resilient spring that follows a Nuclear Winter. These are songs with a sense of urgency, the inertia of breaking apart, and the energy of building it all again.

[DeftonesNZ]

Sounds awesome looks like this is going to be some darker guitar based stuff. I'm really looking forward to this.